Lìjiāng Studio, weeks 27 & 28 – Nà Mǎ 纳 玛

(24th August – 6th September)

The past 2 weeks were all work. It was great! I finally settled into the “new normal” of being here with just the family, and got on with my projects.

So this fortnight, you mainly get photos.

Mushrooms

It’s mushroom season! There’s mushrooms at the markets everywhere and Xue Mei has gone mushroom foraging twice since we went with the others last time. The first time I walked into the kitchen I was so blown away by the array of mushroom species that I took a photo series. Here it is. We ate them all!

Things

On Saturday 5th Sept, He Er Ge and I went to Mu Yun Bai’s exhibition. It was good, although I felt that I’d seen his work a bit too regularly recently to properly appreciate it. Since I’m drawing ten flowers at the moment, I spent some time examining how he made lines of shade change without drawing a line – which is pretty much what his whole drawing style is. I can’t do it very well yet; and it’s my only specific aim of improvement for my pencil drawing. Oh, that – and less perfectionism! The exhibition was in an old school, in an undercover but only 3-walled area, and it worked really well.

He Ji Yu and I are working on finishing repainting this mural that’s in the family kitchen. Here’s a photo of the mural before he’s done many flowers, and while he’s doing them! My sister Hildy started this mural revitalising project and my aim is for it be finished by the time I leave.

I came home at lunchtime one day and Anai hadn’t cooked because she wasn’t expecting me. She was worried but it worked out perfectly because the day before, she had pulled up all the nettles I was cultivating – well, letting grow, anyway – in my flower-bed that Miranda and Jay built and I’ve grown against the front wall of the studio. So, nettle soup it was!

Hi Ji Xing’s horse has a pretty crappy life when he’s not around, as nobody else takes it for walks and it lives on a short rope. So I asked him to show me the basic, and took the horse out. It was really scary! I have never handled a horse alone before, and this horse is pretty frisky and jumpy. But we made it to the lake, and he was so happy to be out!

Things I saw around and about:

WORK
I am in the midst of a completely non-musical project. I am using rubbish and a few natural found objects I’ve been collecting since I arrived here to create a menagerie of animals that maybe once lived in the mountains around Lashihai. There are several inspirations for this project and I’ll put a detailed post up about it after I finish it. Next weekend I plan to exhibit the animals in a little diorama in the village, with Ji Yu helping me explain to the villagers what it’s about.  Here’s a few animals-in-progress.

I sat down to write a Second Iteration: He Family Portrait for Anai. It wasn’t happening. But some other little thoughts and ideas were happening. I tried to focus but to no avail. So I started turning the little thoughts and ideas into a piece. 2 days later, I had a finished draft. I’ve written a piece for 2 tenor voices; violin; bass; and percussion. The piece sets text by Francis Kingdon-Ward (1885-1958), an English botanist, explorer, plant collector and author who spent a lot of time in this part of the world. The text is from one of his many books, “Riddle of the Tsangpo Gorges” (1926), and describes the wonder of mountainsides of Rhododendrons. Robbie Hart used this quote in his thesis, which is how I discovered it…and so this piece became my 3rd approach in my Robbie’s-data-into-music project. The text is set simultaneously in Mandarin and English. 周巧(Zhōu Qiǎo)did the translation for me, and it happened to be the exact same number of syllables, which was perfect!

Kindgon-Ward quote 1926

I finally made a decision about my graphic score, and started drawing. Here’s species 3, Rhododendron beesianum: the photo by Robbie Hart, and my drawing in-process and completed. I plan to do high-quality photocopies of the flowers onto transparencies and overlay them onto manuscript.

Qíng Nà Mǎ

晴 纳 玛

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